Current List 212A

Adams, Edward B:
- KOREAN FOLK ART & CRAFT

Addiss, Stephen; trans. and commentary on Chinese poems by Jonathan Chaves:
- OLD TAOIST

AFANG GONG KAOGU FAXIAN YU YANJIU
(Archaeological Discoveries and Research on the Afang Gong Palace) 阿房宮考古發現與研究.

Aga-Oglu, Kamer:
- THE WILLIAMS COLLECTION OF FAR EASTERN CERAMICS
- THE WILLIAMS COLLECTION OF FAR EASTERN CERAMICS

THE ALBUM OF TOSHOGU AT NIKKO

Almqvist, Kurt ed:
- THE SAMPANS FROM CANTON

Aomen Yishu Bowuguan (Museu de Arte de Macau) ed:
- ZHIREN WUFA: BADA SHITAO SHUHUA XUESHU YANTAOHUI LUNWEN JI
(Rules of The Masters: Proceedings of a Symposium on the Paintings of Badashanren and Shi Tao) 至人無法 : 八大石濤書畫學術研討會論文集.

Arakawa Hirokazu ed:
- HOSOKAWA-KE DENRAI MAKI-E SHITSUGEI
(Gold Lacquer Art inherited by the Hosokawa Family)

Argence, Rene-Yvon Lefebvre d':
- CHINESE JADES IN THE AVERY BRUNDAGE COLLECTION

Art Museum, Chinese University HK:
- JIXIA MINGDAO: HUAIHAI TANG CANG MINGDAI ZHONG WAN QI GUANYAO CIQI
Enlightening Elegance: Imperial Porcelain of the Mid to Late Ming: The Huaihaitang Collection 機暇明道 : 懷海堂藏明代中晚期官窯瓷器.

Asahi Shimbun ed:
- THIS IS JAPAN - NUMBER FIVE

Asahi Shinbun:
- SHIN MANSHUKOKU YORAN: SHASHIN TO KAISETSU
(An Illustrated and Explanatory Guide to the New Manchukuo) 新滿洲國。寫真之解說.

Asia House (Trubner, Henry ed.):
- ARTS OF THE HAN DYNASTY


CHECM3
Cheng Dayue: CHENG SHI MO YUAN. (Ink Garden of the Cheng Family). 程氏墨苑 。 程大約 編. Beijing, 1996. Each volume c. 160 pp. Many b/w illustrations of ink cakes. 12 vols. 32x21 cm. Stitched, 2 silk-cases.
GBP 750.00
Facsimile reprint of the 1606 edition, together with later eulogies of Cheng's mastery of ink-cake manufacturing. Throughout the book are designs of inkcakes by Ding Yunpeng. The 'Chengshi Moyuan' is also remarkable for the inclusion of three images from the Gospels, taken from the 'Evangelicae historiae imagines'. A luxurious publication in close imitation of the Ming period edition.
  The original is one of the most important Ming period illustrated books, extremely rare and sought-after. A few copies - for example that in the Percival David Foundation collection in London - were printed in a number of colours, amongst the earliest examples of Chinese colour printing, although this was done by brushing coloured inked onto distinct regions of a single block for each pull of a leaf, rather than using sets of blocks as in later multicolour woodblock printing. In effect these copies have the characteristics of monoprints and are unique. This facsimile - representing an instance of the standard 1606 edition - is in black-and-white only. 'Visible Traces' pp. 39-44. Now out-of-print and very hard to find.
Subjects: Scholar’s Studio Rare Books
Item 315 in List 212.
URL for this record: hanshan.com/?c/CHECM3.HTM
Record produced by Hanshan Tang Books, www.hanshan.com.
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